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THOMASBOX.jpg
In 1924, when he was ten years old, my great uncle Thomas was nearly burned to death. Thomas and several of his friends were playing in a vacant lot down the street from their apartment building in the Bronx when they discovered this large discarded wooden box. According to my grandmother there were paint cans of some kind in the box and the paint caught on fire. There was always a lot of confusion about how the fire happened - none of the boys had matches (which would have been hard for them to come by) so the theory was "autocombustibility" or paint soaked rags slowly burning and then flaming up when the boys opened the box's lid. Regardless of the cause, Thomas became caught up in it and began burning alive. The other children understandably panicked and began running and screaming. My grandmother, who was only five and not with the boys but back at their building, remembered the screams and remembered also the sight of her father running for the lot and saving her brother's life.

Thomas Lennon, who for all his struggles with alcohol and resultant broken promises, loved his children more than life itself. Every one of them spoke of him the same way for decades after he died. He was a man who disappointed his family, a man who could have been so much, yet also a man who adored them and they adored in return. On this particular day, Thomas Lennon grabbed his son and threw him to the ground and extinguished the flames. Then he carried his little boy home where his screams continued for a very long time.

More than putting out the fire, it is what happened in the days that follow which is the true miracle. The doctor came to the house and determined that little Thomas's survival was a precious thing indeed. Nothing was certain. His wounds had to be cleaned constantly to stave off infection. The pain was so great that the child could not bear to be touched and yet that was clearly necessary. The only one who could tend to his wounds was his father, something my grandmother echoed a few years later when she nearly died from tetanus*. Thomas Lennon tended to his boy with a sweetness that was without compare. Little Thomas survived, and thrived, and lived a good long life. His father, sadly, was gone less than ten years later. But Thomas lived and really, that alone (without all the other many stories) is testament to how much a father's love can achieve.

How a photograph of the box came to be taken, and how it ended up with my great grandparents is a mystery. It is an 8 1/2 by 11 inch picture - large for the time and certainly something they could not afford. (Nor did they own a camera.) The tag hanging from the lock is also strange. It seems to include an address which is familiar to me so perhaps it was part of some investigation from the fire or police departments that notes the box's location at the time of the accident? Regardless we have it now along with a note from grandmother with the details, which is really what matters. Without that note, and if my mother and I had not heard this story many times, then this would just be some strange random picture of a box. I would never know about the day my great grandfather was a hero or the son whose life he saved.

Stories matter, don't they? We would not know who we are without them.

(Now that it is scanned in, I will be sending the original of the box to my mother's cousin, Thomas' son.)

*I should note that my great grandmother was an exemplary mother and very conscientious in the care of her children. However, Thomas Lennon had a special touch when his children were ill. My grandmother told me that the pain she suffered from tetanus (which they referred to as lockjaw) was so great that the bed on which she laid could not be touched without causing her agony. Yet again, it was her father who tended to her. Only he could touch her, she said. Only he did not make her cry. He had a gift for tenderness, which his children never forgot.


Nominated for an Oscar for animation short, "The Fantastic Flying Books of Mr. Morris Lessmore" is gorgeous. It was written by William Joyce who is also the co-director. As I am a HUGE fan of Mr. Joyce's (Dinosaur Bob! Rolie Polie Olie! Wilbur Robinson! SANTA CALLS!!!!!), I had to see it and having seen it I have to spread the word.

Watch the clip then go to itunes where you can download the 15 minute film for free through Oscar night.

Oh - wait - here's what it's about:

That story became the film, which is about not only a man who gives his life to books, but also the books that give back. The story, at turns bleak and bright, follows book lover Morris Lessmore as a windy force of nature leaves his town in shambles, blowing him "Oz" tornado style to a land where he discovers a library of lively books and becomes their caretaker.

You can read more in the LA Times. Then go to itunes and download!!


1. Slightly Foxed has released Dodie Smith's memoir Look Back With Love. Written when she was 78 years old, it is a reflection of her early childhood with her mother's family in early 20th century England. I am delighted to know that her upbringing included "...seaside trips, motorcar outings, fairgrounds, circuses, jokes, charades and musical soirees." This is exactly as I would wish the author of I Capture the Castle (and 101 Dalmatians) to have grown up.

2. I was remiss in failing to mention that the January issue of Bookslut went up with my column on realistic fiction which included Sara Zarr and Holly Cupala and Cecil Castellucci and James Proimos and Laurel Snyder and 2 more cracking YA mysteries from Norah McClintock. (Since it is practically the very end of January you likely already know all about the January issue of Bookslut but I wanted to make sure you knew!!)

3. I also missed posting about the new issue of Eclectica Magazine which included a round-up of biographies for kids. Have you seen "The Great Idea" series of picture book bios? Wonderful wonderful stuff - especially the latest on the girl who invented the standing paper bag. (And she had to go to court to prove that even though she was a woman the invention was hers because someone tried to steal it from her!)

I also reviewed ZAZEN in Eclectica which is where I got to write a line that made me very happy: If you are looking for a mash-up between the Portland grunge scene, Red Dawn and the live-for-the-moment attitude of the Weimar Republic (as portrayed in Cabaret), then I have the book for you.

Totally true, promise.

4. As for my book news, Omnivoracious had a review up of MAP last week that was pretty great and made my day.

Also I have an event in Bellingham, WA this Friday night at Village Books. If you are in western Washington and want to see a slide show full of icy cold airplanes, then it's where you need to be. (That picture they have of me is cropped in a way that looks very weird, don't you think?)

5. And what else? Well I'm working on essays about things that didn't make it into the book and that is proving to be more interesting than I thought. Everyone (meaning publisher/editor/agent types) wanted me to write essays and continue to hopefully make the book buzz build in its current steady slowburn kinda way but honestly I didn't want to do it at first. I said I would but mostly I wasn't planning to. I was just so bloody tired of this subject and even more than that I thought I didn't have anything left to say about it so writing more seemed like it would be faking. And then I talked to one of my good friends who is a pilot in the book and hardly ever reads books (he's a magazine kind of guy) and he read mine (for obvious reasons) and he had questions and thoughts and ideas and was....well....excited about it. And we got to talking about the stuff I was toying with for essays and he had some stories for me that fit in with those and, well, there you go. Just finished one very short one and sent it off and now I'm working on number 2 and there are 3 more in the wings.

And I realized I have another Alaskan flying book in me. It fits with the western book idea I was already working on but the perfect Alaska flying angle took me by surprise. Never would have thought it but here we go again folks, here we go again.

[Dodie Smith with her delightful family - she's the little girl in front.]