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Over at Critical Mass (again), Lev Grossman answers six questions culminating with this bit on reviewing:

Q: After a decade or so of covering books, how would like to see book pages change in the coming years?

A: At the risk -- nay, certainty -- of sounding kind of snobbish, I wish book sections in general would leave book-reviewing to the pros. There's a pervasive notion that anybody who can read can write a book review. Not so. Good god, there is nothing so boring, so dank and unappealing on the page, as a bad book review.

Okay Lev, if you were going for snobbish then you knocked this one out of the ballpark. I would love love love for someone to lay out all the rules to be a professional reviewer. Is there a degree involved? Is there an apprenticeship? Is there a certain amount of money you need to make or a certain publication you need to be published in? I am also confused over who Grossman is referring to - most bloggers would say they are not reviewers, they just have sites and they're giving their opinions. And really - who cares? Who is threatened by anyone giving reviews except, apparently, other reviewers? If Lev doesn't like Bookslut ( and really I don't know if he does or doesn't) they he should not read it.

Is that so hard?

I review for Booklist which is about as mainstream as it gets in terms of reviewing. (We're talking the American Library Association here - this the publication of, by and for the people!) Also, yesterday, in my newly arrived review copy of Scarlett Thomas's The End of Mr. Y I found a quote from Bookslut about her first book, PopCo - a quote from a review I wrote. So the publisher, Harcourt, must think Bookslut is serious enough to be worthy of notice, I wonder what Mr. Grossman thinks and what I'm supposed to think (other than being giddy about the world knowing how much I love PopCo!)

I also thought it was odd in the Critcal Mass piece that they had to point out Grossman was a fan of Kelly Link "Some of your own taste in books is a little bit bent from the mainstream -- Kelly Link, however nice a writer, has yet to catch on. Do you have to make an extra case when reviewing writers like her in Time?

The lit blogosphere has been high on Link for ages, so hey - how nice of Grossman to finally catch up with the rest of us! (I will proudly point to my review of Link's Stranger Things Happen LAST YEAR at Eclectica.)

On to other news, some readers might have recognized Lauren Baratz-Logsted's name in my quote the other day about chick lit. She's actually the editor of This is Chick Lit and MJ Rose has a great backstory entry on how that anthology came about from Lauren herself:

Why... be bothered by other people taking shots at Chick-Lit?

The answer is simple: Because it gets old. It gets old hearing people complain about all the pink books out there as if, were those books to suddenly poof out of existence tomorrow, every reading person would suddenly be rushing out to buy Thomas Pynchon. It gets old hearing the books get denigrated and miscast as being about no more than Manolos & Cosmos when in fact, while some of the books are just that, so many of the books are so much more. It gets old, reading reviews where the reviewer feels compelled to say, “This book is very good…for Chick-lit.�

Lauren has a new book out with a great title: How Nancy Drew Saved My Life. Described as "part Charlotte Bronte, part chick-lit, part Nancy Drew," it sounds like a lot of fun and leads me to another recent topic - the endlessly insane popularity of Jane Eyre. (As evidenced by this very book!)

The Guardian has an article about the latest BBC adaption of the book and points out that "Though popular culture has sometimes portrayed Jane as quivering daintily in the arms of the masterful Rochester, Brontë's original character had such force and ego that she has come to be seen as a proto-feminist creation."

And speaking of feminists - I wonder if Samantha Hunt will be happy with Anne Hathaway's portrayal of Jane Austen? Will it be tainted by her chick lit film roots? Will Austen still be "[an] activist on the part of romance"?

Oh, the things we have to worry about this weekend!

comments

You and I are developing quite a dialogue here! I'm assuming you know about Lev Grossman using TIME magazine to talk about liblogger Ed Champion's coverage of him, which resulted in Ed posting about it on his "Return of the Reluctant" blog and sending Mr. Grossman a basket of fruit?

In the "Critical Mass" interview you cite, he does come off as snobbish. The weird thing is, I enjoy reading "Critical Mass" and yet the prevalent tone does seem to be earnest/taking-ourselves-too-seriously and Mr. Grossman's remarks fit right in. That said, I rather like, "And at the risk of sounding reverse-snobbish, I'd like to see more serious review attention go to genre fiction. It is, after all, what most people read. The worst of it is very bad, and the best of it is very very good. Why not help potential book-buyers divide the one from 'tother?" Yes, the tone is still, oh, *you know*, but at least he's not saying "all genre fiction should be ignored in serious reviews because it all sucks" - a refreshing change.

Oh yes - I know all about the fruit thing! Ed is the coolest - I really enjoy his site. I think it's hysterical that Grossman dedicated a whole column to him though while Critical Mass is also asking what to do about bloggers (and even Grossman is raising the professional vs amateur issue). So is saying Ed is a professional and that's why he's addressing his comments? Or is he saying he's an amatuer and should leave it all alone?

It is nice that the whole thing is very gentlemanly but it makes Grossman a bit harder to pin down.

I do wonder also if there's a hierchy among the so-called pros - in other words do the NYT folks think Grossman is less for being at Time and do all of them look down at USA Today or the reviewers for Vogue or Elle? Maybe the only thing all of them can agree on is that bloggers are the bottom of the barrel.

Isn't this too funny?

"Isn't this too funny?"

When it's not sad, yes. Yes, it is.

Tomorrow, when I'm not wine-ful as I am now, I'll try to remember to answer your other intelligent comment to my other post about Lev etc.

I just finished reading the book review page in Elle - which was great. So what does it matter as long as we find the reviews that compel us to buy books? You would know better than me but I wonder if all that chick lit bashing has had any negative impact on sales for the genre? Does it stick when readers can tell that the folks saying it can't stand the genre to begin with?

I mean - does it matter to your readers that Samantha Hunt would be insulted to have her books described as chick lit?

"You would know better than me but I wonder if all that chick lit bashing has had any negative impact on sales for the genre? Does it stick when readers can tell that the folks saying it can't stand the genre to begin with?

I mean - does it matter to your readers that Samantha Hunt would be insulted to have her books described as chick lit?"

Last question first: No. Samantha Hunt is an irrelevancy to me.

As for the other, it does have an impact: people in the literary world can be shockingly conservative and all too quick to toe the line. I wish I had money for every time I've read some variation on "I've never read any Chick-Lit, but I know Chick-Lit to be vain and shallow, only obsessed with designer drinks and getting Mr. Right." Huh??? My heroines can kick those people's butts at pool! More, they drink the cheap stuff, only go shopping when in need of a disguise, nor do they get a traditional Happily Ever After in the Shakespearean sense of all comedy ending in marriage. And I can't be the only writer whose books don't fit a stereotype; I know I'm not. But you'd never know anything but a stereotype exists if you relied on the naysayers. I know I'm rambling. I'm just to eager to read your Shakespeare post above.

You know what I just realized after reading your comment? (Consider me late to the party on this one...) The whole idea of Chick Lit has been created by the negative reviewers/commenters/etc. Chick Lit was just like any other loosely held group of books before - certain elements in common but not a lot and no strict formula as such. Marketing jumped onto the similar cover designs but even that wasn't a genre definer - it seems like no one thought of Chick Lit as being all about shoes, Mr. Right and shallow heroines until the folks who didn't like the mere idea of it (and clearly were unable to take on the much larger and more entrenched Romance genre)started attacking.

So as Chick Lit authors you guys aren't fighting against what folks think you are - but what some folks have decided you must be.

That's enough to make your head spin off!

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