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Jenny D linked the other day to this book excerpt in the Guardian. It's several authors explaining, "how they write". As I have been struggling a bit lately with the blahs (not blocked, just blahed), I was intrigued to see what published authors had to say.

I gotta tell ya - some of this is weird.

Jane Smiley likes hot water. I like hot water too - maybe I like it too much and have gotten too used to it. I take a hot shower every day, doesn't Jane? Showers are awesome, love showers. But for inspiration - not so much.

I liked that Jake Arnott is inspired by his grandmother's life and Douglas Copeland's chocolate cure is a nice one. (I can guarantee you this does not work for me, but I like the excuse of trying to find a way to make it work....) But I don't get Jonathan Franzen, the squeaky chair and talking to an empty room. I also don't know how he doesn't know that he's been talking out loud. But the really weird one is Jay McInerney and his axe:

This is an Acheulian hand axe, approximately a half-million years old, crafted by Homo erectus, which was given to me by my friend, Anthony Hamilton Russell, who found it on his farm in Walker Bay, South Africa.

The design of this hand axe was pretty consistent for more than a million years. I like to heft it and hold it between paragraphs. It fits the palm beautifully. It reminds me of a friend and a beautiful landscape; sometimes I try to imagine its maker and his world.

That has to be made up. He might have that axe but I really doubt that it provides inspiration. I mean an axe? Am I the only one who finds this just a bit too conveniently strange and exotic? (Wouldn't want to write that you have a cup of coffee and go for a walk when you're struggling - oh no! You must heft the prehistoric axe!)

Why am I so not surprised that it was McInerney with the axe? Please.

As for me - I talked to my agent on Friday and she would like 50 pages of the memoir sooner rather than later. And since I desperately want to keep this woman happy (she is the only one who thinks my book is wonderful right now that isn't related to me), I am now a power writer. I did break through the blahs right before our conversation however and wrote a full chapter, "Chasing Wolves" Thursday night. It's about a friend who flew into a mountain on a bright sunshiny day. I wanted to explain how some crashes happen even when it seems like they shouldn't. Even when you can't imagine how they could. So one essay-chapter down and many more to go. But I'm writing, and that's what matters.

As for the cure - credit Buffy the Vampire Slayer, Melissa Etheridge and the deep impression made on me by Christopher Barzak's haunted house story in Interfictions. Good tv, good music, good writing. Screw the axe, just give me creativity at its finest and I'm back; just give me something to love and I'm ready to do some work.

comments

HAH! An axe!?
I wish the chocolate worked, too. But alas, no. And fondling an axe doesn't... er, cut it. I do read out loud to myself, but only when I'm trying out dialogue, and I do always KNOW it.

Either way - glad you're back, and I wanted to say that I appreciate all of your work on our other blogging stuff! Cheers!

The whole thing just seemed very lame and too perfectly prepared for a book. I'm sure the average writer would say something like "I bang my head on the table until the words come!"

Not so romantic as that big honking axe though, huh?

I love this post, but I do feel the need to observe for the sake of accuracy & JM's reputation that you guys are slightly mistaking his meaning!

http://en.wikipedia.org/wiki/Handaxe

It's a modest piece of flint in other words, the sort of thing that you would take for a pebble unless you knew what you were looking for... (i.e. its resonance is all on the man's-toolmaking art/craft thing, the Wikipedia entry says one can be made in less than fifteen minutes)

Ah Jenny - must you be the voice of reason?! ha! I had a great vision of him holding some big honking Thor type axe!!

I still think stroking a piece of flint for inspiration is a wee bit on the "too colorful" side. I bet he just watches MASH reruns or something like the rest of us!

Yeah, I'm with you, I totally see what you're saying...

The word axe in that context does rather pleasingly conjure up, I don't know, sort of rawhide-laced-up massive implements/cavemannish Jack Nicholson!

Colleen, thank you for sending Tin House, can't wait to delve into it--and you know what's even better, I'm halfway through Farthing, PURELY on your recommendation, and of course it is perfect! How excellent...

Quick offtopic note, Colleen...

Read your Kage Baker review on Bookslut after Jessa referenced it on the blog in the last couple of days. Since you aren't familiar with The Company, there are a few misconceptions in it.

Baker's cyborgs cannot, for the most part, ever travel back in time: they are created in the past and live forward through it. (Several characters manage to find ways around this, in the later books.) The whole Company concept forms an excellent, detailed conspiracy theory that spans all of recorded history and quite a bit earlier, but you really have to read the novels to be able to pick that out. The cyborgs are all enslaved drones that have been created at various times. Joseph's origins are prehistoric, Lewis comes from Roman Britain, and Mendoza was rescued by Joseph and from the dungeons of the Spanish Inquisition in the mid-1500s, and recommended for the immortality process.

I had originally heard that there would be ten books in the series, so I'm surprised that the last one is coming out this summer (I think it'll be #8, not counting novellas and an anthology). However, anyone who has read the most recent novel would believe that there isn't much further Baker can go with the story... it seems to be coming to a head.

I think you'd definitely like them, although I think the weakest writing in the whole series comes when Mendoza has romantic moments with her various human lovers... they read like Company fanfic.

Miranda:

Have you read Gods and Pawns? The are multiple stories in there where the cyborgs do go back in time - they are in the future and purposely talk about going back in time. That's where I got the idea that they go back in time.

I did try to be clear that my whole basis for the series was just those two books however, so readers would know that I couldn't speak to the whole series.

I read Kage's website where she said the last novel is due out this year, but you are right, she plans to continue with stories etc.

Jenny: Glad you got the TIN HOUSE - and here's some good Farthing news - the sequel is due out this fall!

MUST HAVE SEQUEL NOW.... If it's coming out this fall, it must already exist! Let us get it!!!

It's coming out from Tor - called Ha' Penny I think.....

I'll have to email and see if it's in their catalog. I know they have Emma Bull's reinvention of the Gunfight at the OK Corral on its way to me right now. I love the movie Tombstone and Bull's writing so I'm looking forward to that as well.

I'll post when I find out on Jo Walton's next one!

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