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Every now and again I wonder if there should be an expiration date for reviewers of MG & YA books. I know this is an over-the-top statement but it seems to me that they do tend to cover the same themes. I'm not talking about the obvious, like vamp books, but other trends both small (am I the only one to notice that photography has been showing up all over the place lately?) and large. Specifically, it seems like novels set during the Civil Rights era have been telling the same story for quite some time. This could be me (and forgive me if it is) but I can't help but think maybe there are just a limited number of stories to tell to kids about this period. And maybe authors need to be thinking about this before they start writing another book about a white kid who learns a very big lesson about racism while living in the south during the 1960s.

(I should pause here to note that what is particularly annoying about reading the same thing again is how some stories from the period are so ignored, such as the Black Panthers which Kekla Magoon wrote about in The Rock and the River.)

I just read Sources of Light and while it is finely written story - no complaints about character development, setting, plot, etc - I knew what was going to happen within the first thirty pages. It's 1962, Sam and her mother have moved to Mississippi after her father's death in Vietnam. They are going to live near his family even though Mom is very progressive and open-minded and artsy and thus could not possibly fit into Mississippi in 1962 but somehow is oblivious to what Mississippi in 1962 is all about so they think it will be fabulous. The in-laws are fine although certainly not progressive (except Grandma who loves everybody because that is what grandmas do). A photojournalist friend (who might be more than a friend) of the mother gives Sam a camera so she can start seeing her surroundings better and through the lens she captures racism! She sees racially motivated violence! She is in a lunch counter when Black people try to get served and are abused for it!

See what I mean about no surprises?

Sam and her mother resolve to change the world (or at least their corner of Mississippi). Sam is protected by her black maid (who is Regina Taylor circa I'll Fly Away) and yet no one can save her from the tragic loss of someone who matters thus teaching her that racism is a very bad thing. She uses her new found knowledge to enlighten another classmate who is white and southern and thus oblivious to the evils of racism until Sam shows him how wrong it is and then he is changed! And the bad guys are found out! And the innocent are set free! And Sam and her mother whisk out of town having learned a lot and taught folks a thing or two and determined to never ever forget it all, never ever ever.

I knew who would die the minute the character walked into the pages. (Okay - wasn't sure if it was going to be death or beating, but violence for sure.) I knew who the bad guys were. I knew Sam would be just fine, thank you very much, and I knew she and her mother would leave. But having said all that - the book is perfectly fine. It's an easy read, it's interesting, it sticks to history, it's an after school special from the way back machine. So is the fact that I found it so repetitive my fault from reading so much MG & YA fiction? Have I reached a tolerance level on this subject or have authors (and publishers) just gotten too stuck in a rut when it comes to the Civil Rights era?

At what point (hello, Holocaust fiction) have we told the same story one too many times - and is that a different point for reviewers then it is for readers?

comments

hope

Bonus Extra Question!

Do we need to keep telling the same story over and over again so that each new crop of twelve year olds can read a book that has just been written (and therefore fits their unconscious linguistic and cultural comfort zone) that covers this topic?


I think Hope's question is a good one. I think writers do get stuck in the same themes, but that perhaps there are reasons why these themes are powerful. I myself came up with three or four ideas for different stories that could be told in the Civil War era just reading your post, but I wonder if perhaps when these kinds of ideas hit writers they go, "Nah, that'll never sell."

For example - what was it like to be a Vietnamese American in 1962? There were children of members of the academia that would fit that description. What about gay? Is the Jewish experience at that time significantly different from a white gentile experience? All of these would be illuminating to read about and different from all the stories we've read over and over... But would anybody read them besides us? Does it matter?

Civil Rights era. Doh.

See that is exactly what I was thinking about also - we read so much of (meaning reviewers/librarians/teachers) so we know when a story has been told a zillion times before and so we are more eager for something new. And yet, does it matter what we think in this instance? Does it only matter that every new crop of 12 year olds has new titles that tell it the same thing again??

I just know that I'm burned out on certain subjects, and this is one.

(Kimberly all of your questions sounded great - but maybe pubs think the Civil Rights Era has one tried and true reading formula and that's the one to stay with?)

Sigh. Let's try this again.

I'll break it into parts.

If we have 100 fantasy books that tell the same story (kid triumphs over evil with magic), why not have 100 historical fiction books that tell the same story? Especially if, standing alone and looked at as one book, it's a well written book?

Let's not blame the publishers. It's more complex than that. 1962 is the it year. Why? Is it because authors are writing about their childhoods? Want to teach a lesson? Think its an important time period? Let's also look at when the book was conceieved/written -- if the timeframe for publication puts it back, say, when Obama began to be viewed seriously as a presidential contender, authors may have been inspired to write about civil rights. If someone wants to write about civil rights, who am i to say "you're doing it wrong?"

Do I personally prefer reading bits of history not covered elsewhere? Do I dream of there being more than one book out there that tells the story of the Famine that doesn't end with emmigration to the us as a happy ending? hell yeah.

But I'm an adult who has read YA/kids for longer than the average kid reads it as a kid. I can't measure it by what I've read. I need to measure what they will read and find.

Hope's question is spot on. How easy is it for most kids to find the older books? It seems there is a demand for only newer (

Sigh. Even that didn't work. OK, basically saying that sometimes it does seem that newer books are getting the attention and shelf space in libraries. While budget issues may mean less new books bought, I don't think it means that librarians will think of the 2000 title instead of the 2009 title for booktalks/displays; and it's the truly bookish kid who can see beyond outdated cover art.

My site must have been giving you fits, Liz! Sorry. I'm fine with books on the Civil Rights era but it seems we get scads of them that are "northern white kid learns big lesson and discover racism and imparts knowledge to southern white kid all after a tragedy occurs." There are a zillion magical kid books out there (too many I think) but at least some of the elements are different, right?

Or, as I said, it is all reviewer burnout and I just need to skip this subject for awhile because when I see the plot coming from a mile away then I really can't enjoy the book.

I feel like "Kid triumphs over evil using magic" is more archetype and less trope. There seems to me to be more flexibility in the relationships and roles involved - or at least the possibility for it; both Percy Jackson and Erec Rex stick to a relatively Harry Potter-y formula. More analagous would be "Kid discovers magical powers, gets sent away to school/camp/a contest, makes one or two true friends, then triumphs over evil using magic." That's a fantasy story that continues to resonate but that somebody taking the long view would think, "Can't we get anything new?"

"Kid learns that racism is bad" is a story I absolutely think could stand to be told over and over. But "northern white kid learns big lesson and discover racism and imparts knowledge to southern white kid all after a tragedy occurs" is very specific. It's probably good that it keeps coming back within a few years of each other. I don't pay enough attention to publishing to know - do we get a surfeit of this story all at once, in any given year?

In the end, I think it's not as valuable or interesting for anyone to stop writing that story as it is for people to start writing others. It has important themes, new books are always on display, contemporary cover art is important to readers - I just think it'd be cool if next to it, there were something that approached the same period/issues from a different angle.

"have we told the same story one too many times"


I think you answer this question with the question in your last line:


"is that a different point for reviewers then it is for readers?"


I believe it is. There does seem to be a phenomenon of "interest fatigue" when you are into a particular subject or area of interest and read voraciously about that thing. After a while (a short or a long while, depending on the subject), pretty much everything is -- or seems to be -- said that needs to be said, and you start to feel that dreaded sense of repetition and staleness. This seems to be a particularly common syndrome among reviewers, who -- by the very nature of their appointed task -- must peruse many examples of their areas of interest, and thus quickly eat up anything and everything that is novel and unique.

However, it is different for readers, especially readers who come to a subject without much previous exposure. For them, the story which a reviewer has seen dozens of variants of seems fresh and new. And because there are always new readers coming along, those stories which have been told many times WILL seem new and fresh to SOMEBODY. -- PL

hope

it's the truly bookish kid who can see beyond outdated cover art

And isn't that just so incredibly frustrating?

Thanks for this, Colleen - I had a similar reaction when I read Sources of Light, but I was not nearly so coherent.

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