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In anticipation of the upcoming rerelease of several Diana Wynne Jones titles, I am reviewing Fire & Hemlock, one of my all time favorite DWJ books, for my April column. FIre & Hemlock is a modern retelling of the "Tam Lin" and "Thomas the Rhymer" ballads and opens with Oxford student Polly realizing she has blocked out a significant part of her past. Through a long series of flashbacks she recalls her lost memories and then, in the book's final section, discovers her connection to the old ballads and understands how her life has taken a decidedly mythic (and dangerous) turn.

I read Fire & Hemlock on the heels of another mythic fiction title, The China Garden by Liz Berry (sadly it's out of print). In that novel, Clare is spending her last summer at home before college when her widowed mother surprises her by announcing she has taken a home health care position with an elderly man in the distant village where her family is from. She expects Clare to stay in London with friends but something compels Clare to dig in her heels and insist on going along. Once they arrive she learns that everything she thought she knew about her mother was incorrect and the entire village knows all about Clare and there is an expectation that she will contribute to the area's rejuvenation. Clare has no idea what is going on but bit by bit she learns that her bloodline, and specifically she herself, is critical to everyone. There is a movement to sell critical land for the storage of nuclear waste, (could there be a greater metaphor for poisoning the land?) and Clare is the one to stop it. She has no idea how (or why it is her) but as the pages unfold and the mystery is revealed and Berry shares clues about standing stones, maze construction and even the story of Demeter and Persephone, readers begin to realize that this novel is about old myths, not something of recent construction like so much current teen fantasy. (Not that there's anything wrong with that, of course.)

In sharp contrast to paranormal fantasy, Mythic fiction hearkens back across centuries. It challenges us on what we believe both as a culture and personally. Coming from an Irish family which is, by habit, rooted deep in superstitions both social and religious (don't even talk to me about St Patrick), I found a lot of both The China Garden and Fire & Hemlock to be quite affecting. These books reminded me of what I find lacking in a lot of modern paranormal titles for teens. For all the thrills and chills with zombies or bloodsuckers or, on the flip side, dystopian nightmares, those titles just don't seem to have staying power for me. When you read DWJ and Berry you realize how old stories have a special resonance and power. No one thinks Twilight will come true but read about standing stones in The China Garden and you wonder because we still don't know why those stones are out here with us or what their power is.

I love both of these books and strongly recommend them. Here's hoping The China Garden will someday enjoy the reissuing attention that some of DWJ's greats will receive in April (More on that as the books appear.)

[Post pic of Stonehenge in winter taken by Reuters.]

comments

YES.
There is really something to be said about enduring classics even in the subgenres of dystopia and magical realism in SFF. For some, the high water mark will always be something like THE GIVER. For others, it'll be a L'Engle or a Norton or a DWJ book.


For most, it will never be a Meyers - not just because of the writing, but because the depth of tradition and permanence and the mysteries surrounding ancient places and beliefs is missing. One thing I object to in a lot of newer fantasy is the endless possibility -- the old stories have Rules and Limits, and I think that creates a believable tale that has staying power.

Have you read Alan Garner's The Owl Service? If you haven't, drop everything you're doing it and read it now.

Liz - have not read it, getting my hands on a copy right now on your rec!

T - Yes to Rules and Limits. One of the most annoying things for me as well is how authors in paranormal let literally anything happen in service to the plot (the sparkly vampire aspect of Twilight is a perfect example). In both of these books there were serious reasons why things had to happen (esp Fire & Hemlock which adhered to the ballads) and the plots fit perfectly within those rules (while never being dull for a second).

I am such a huge fan of both DWJ and mythic fiction. The mythology aspect is why I was so into The Dark is Rising books, I think, and Charles De Lint's (non-YA) books. And Robin McKinley. It's just something that's always appealed to me.

I adore The China Garden. It is a box of treasures to be discovered. And even though--as you say--it's magic is based in enduring myth, it still has everything a teen fantasy lover could want. The girl who is special and the hot, hot, hot guy. (The great thing about Mark is that he isn't a mincing little sylph of a non-threatening YA romantic lead. He is big, strong, powerful and dangerous.) And these two generate some serious steam. I can even forgive the somewhat New Age-y, crystal sparkly ending because there is just so much to love in this book.

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